Sappho and Alcaeus (1881)
A Coign of Vantage (1895)
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Sappho and Alcaeus (1881)
A Coign of Vantage (1895)
Los Comuneros de Castilia (1860)
There’s a Cossack on guard, a wild colorful figure in a wide landscape. This is no pretentious painting, it is reduced to the absolutely necessary.
Returning from Vienna. Here are the victors who saved Vienna in 1683. They are returning with there trophies, their exotic booty and their prisoners.
Sure it’s not a real history painting, neither it’s a religious painting. It pretends to show Saint George but he’s painted as a medieval knight. As model for the costume and the title served the engraving from Albrecht Dürer (1470-1528) Knight Death and the Devil (1513).
The fantastic battle scene with the realistic costume reminds me also of the painting "Beserk" by the American fantasy artist Frank Frazetta (born 1928).
I don’t think that Frazetta knew Liebenwein or his painting. But it is a good example for the strong influence of history painting on modern fantasy art. When painters like Liebenwein abandoned the pretension to be "realistic" they turned into the forefathers of fantasy.
The Bard (c. 1817)
Information: General Desaix and the Peasant (1867)
The Rest (1870)
Astronomer Copernicus: Conversation with God (1872)
The Romantic painter Lessing shows an old disillusioned warrior coming home. Sure that he left a lot of his ideals back there in the war. May be that some crusaders returned like this, but painting must be seen in the context of the conservative restoration in Europe that ended the liberal and national dreams.
Laurens was the last of the great French history painters. Excellent skilled by his academic studies he preferred anticlerical subjects.